Fizzy's Fifteen Dollar Commissions! - Portrait Commissions for up to 15$

Full Color Bust: 15 USD

Sketch / Single Tone: 10 USD

yes, you read that right! 15$ full color bust illustrations! you can dm me on this account (@thisfizzyyyy) if you would like one for yourself! please provide as much descriptions/reference images as you would like (or not, whatever's fine!)

at this time, i will only be taking requests for busts for human/humanoids! if you're not sure whether i will take your request please don't hesitate to reach out and ask !!

thank you for your support !!

Glaze is out!

Tired of having your artwork used for AI training but find watermarks dismaying and ineffective?

Well check this out! Software that makes your Art look messed up to training AIs and unusable in a data set but nearly unchanged to human eyes.

I just learned about this. It's in Beta. Please read all the information before using.

ALT

Art thieves already hate it:

Dude, if you're stealing, you deserve to have the data poisoned. Because you could have asked and you didn't.

The link is only in the original post inside an image, not as text, so here it is as plain text: https://glaze.cs.uchicago.edu/

and the paper about how it works: https://arxiv.org/abs/2302.04222

As links (because some of us are on mobile and can't easily copy and paste to our browser), those are:

https://glaze.cs.uchicago.edu

&

A bit of a TLDR for some questions I saw in the notes:

The team that created Glaze is from the University of Chicago. Their names are each listed in full on the Glaze download website. (This group of students/professors did this for their SPRING BREAK 😱 so go give them some love lol)

It is free to download. No, they won’t ask for or raise money from/for this project.(stated by one of the lead professors of the project).

Glaze is designed to protect artists’ STYLE--which a bunch of ai people have been deliberately fine-tuning their models to mimic (and specifically of current living artists--small or big).

It currently does not protect against composition/trace-like theft (as seen when run through img-to-img) but that would be protected by copyright anyway while STYLE is not.

The University Team has stated that they are dedicated to continuing to improve the tool, like fixing bugs (like overheating older computers by taking up lots of energy when Glazing--it currently runs on CPU so they’re trying to change that to GPU, I believe) and expanding the type of protection given to artists (like working against img-to-img theft).

It currently only works directly on your computer (phones not advised due to current overheating issue, no tablets, or iPads, and no website runthrough since that would be insecure to breaches/scraping/hacks)

It currently works best on painterly artwork, but can still be used on other forms (team is working on improving this)

IT WORKS BY calculating the changes each image needs for the best protection against style theft by AI, and adds tiny changes throughout the piece, so that your style will, for example, confuse the ai into seeing van gogh. But the ai thieves will see a regular image in your style, feeding it into their model labeled as your work (thus starting the “data poisoning”).

Do not post the original unGlazed piece of your artwork after posting your Glazed version (obviously)

The Team worked directly with over 1,000 artists that were being impacted by the ai theft. Because the team listened to those artists, Glaze accounts for regular art thieves too (i.e. Glaze can’t be removed/cropped etc. like signatures or watermarks when reposted. It’s just part of the image, so even if it ends up on another site and scraped, the Glazing is still in effect)

When you run your artwork through Glaze, no information is sent back to the Team. (Aka, no scraping on their part. The app receives information from the Team (like updates) but no information from you is given to them through the app. Basically Team servers ---> You and NOT Team servers <--->You) One-way data street.

Brief misunderstanding happened over an open-source license for the front-end part of the app. (Used open-source coding for front-end, not knowing that code’s use-license states it is only for other open-source uses, not closed-source (the back-end code of the app is private to prevent counter-counter measure developments)). The Team took down the app until they replaced the front-end code with code written from scratch by the team. They are now not in violation of that open-source license since they are no longer using it. (you have 30 days to remedy a license breach once informed; they did so in 2)

The Team is currently in touch with Japanese artists to better expand the tool for use to protect their art styles

From what I understand of it, Glaze is an AI tool designed to be anti-AI (Think Arnold Schwarzenegger in Terminator 2: one Terminator robot vs. all the other Terminators 😂)

You can download it from their website and also contact them through email there with any questions, problems, or bugs. The website: https://glaze.cs.uchicago.edu/

reblogging this every fucking time it comes across my dash

bitter and contentious disagreements here

That trans girl mutual you think is so cool? The one you have a huge crush on? Yeah I have some bad news for you buddy. She's taken. She's dating a she/they. That she/they is on here too and their blog consists entirely of the most unfunny normie reblogs you have ever seen in your life. Some real "what is Harry Potter was in the TARDIS" type shit. And they're monogamous. They're monogamously e-dating. They call each other "my wife" sometimes too so it's hard to tell but they might actually be monogamously e-married. You can fix her. Only you can save her. Slide into her DMs right now.

Losing it at the people in the tags like "I did this and it worked" or "my ex's new girlfriend reblogged this".... I think this might be my most destructive post yet

rb to give the previous person a fucking break because life aint life-ing the way its supposed to life and it fucking sucks.

why don’t we eat the ouside of peanuts? why don’t we just accept what’s there? just eat the shell., toss out the inner nut? why don’t we scrape of the peelings of the shell and it it like candy toss the nuts on the ground, nuts all over the ground. they empty its husk and litter the floors. peanut shells all over the floors. in the Texas Roadhouse there’s peanut shells all over the damn floors, they eat the nuts so hungrily, buckets fills of peanuts, just eat the nuts. you hear the crunch, crunch, of peanut shells littering the floors everywhere you walk a peanut she’ll. they just want the inner nut. the bean within the paper. the nut inside the peanu shell

what the fuck is wrong with you

I don’t want to die

Contrary to the claim of free-market ideology, supply is not a response to demand. Capitalist firms usually create the demand for their products by various marketing techniques, advertising tricks, and planned obsolescence. Advertising plays an essential role in the production of consumerist demand by inventing false “needs” and stimulating the formation of compulsive consumption habits, totally violating the conditions for maintaining planetary ecological equilibrium. The criterion by which an authentic need is to be distinguished from an artificial one is whether it can be expected to persist without the benefit of advertising. How long would the consumption of Coca-Cola or Pepsi-Cola go on if the persistent advertising campaigns for those products were terminated? Such examples could be indefinitely multiplied.

Advertising is an incredibly wasteful, ecologically destructive industry that intrudes on our everyday lives pretty much constantly. We’re absolutely fucked if we can’t even question one of the most distinctly obnoxious and useless facets of the ecocidal economic system we live in. Like this isn’t even something that powers our day-to-day existence like the energy sector (literally killing us but also keeping our AC/heat, transportation, etc running)—advertising just pollutes, wastes, and annoys, yet it’s been assimilated into many peoples’ sense of self and their ability to “enjoy things”

“Of course,” pessimists will reply, “but individuals are motivated by an infinity of desires and aspirations, and it is these that will have to be controlled and repressed.” Well, the hope for a paradigmatic change in civilization is indeed based on a wager, as propounded by Karl Marx, that in a society freed from capitalism “being” will be valued over “having.” Personal fulfillment will be achieved through cultural, athletic, erotic, political, artistic, and playful activities, rather than through the unlimited accumulation of property and products—the sort of accumulation induced by the fetishistic consumption inherent in the capitalist system, by the dominant ideology, and by advertising and having nothing to do with some “eternal human nature.”

As capitalism, especially in its current neoliberal and globalized form, seeks to commodify the world, to transform everything existing—earth, water, air, living creatures, the human body, human relationships, love, religion—into commodities, so advertising aims to sell those commodities by forcing living individuals to serve the commercial necessities of capital. Both capitalism as a whole and advertising as a key mechanism of its rule involve the fetishization of consumption, the reduction of all values to cash, the unlimited accumulation of goods and of capital, and the mercantile culture of the “consumer society.” The sorts of rationality involved in the advertising system and the capitalist system are intimately linked, and both are intrinsically perverse.

Advertising pollutes the mental landscape, just like it does the urban and rural landscapes; it stuffs the skull like it stuffs the mailbox. It holds sway over press, cinema, television, radio. Nothing escapes its decomposing influence: in our time we see that sports, religion, culture, journalism, literature, and politics are ruled by advertising. All are pervaded by advertising’s attitude, its style, its methods, its mode of argument. Meanwhile, we are always and uninterruptedly harassed by advertising: without stop, without truce, unrelentingly and never taking a vacation, advertising persecutes us, pursues us, attacks us in city and countryside, in the street and at home, from morning to evening, from Monday to Sunday, from January to December, from the cradle to the grave.

Ecosocialism, Michael Löwy

Legitimately abysmal. Like a dog finding a secluded place to die alone because it feels itself growing weak and you can’t explain to it that veterinary medicine exists

Thanks for hanging out with me! Was I cool? did you like me? What do you think of me in detail? Do you hate me?

Illustration by Ai Natori

there are things in my tags you guys should be saving for a priest or a therapist

and they're never the things I expect